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La Boîte Rouge VIF
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Drums And Dances
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The Spirit of the Drum

Richard Moar
March 29, 2011
Manawan

"Through the drum, you connect with many things."

Richard Moar, Nehirowisiw

The drum is an integral part of the traditional cultures of First Peoples. It accompanies songs and dances and is a link between nature and humans. Between the mother's womb and the Earth's womb, the beat is the same. It’s the soul that breathes, the gates of spirituality that open. "And it's beautiful, very, very beautiful," as Richard Moar gently puts it.

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  • Transcript

Joining the Circle

Derek Barnaby
November 3, 2011
Listuguj

"I couldn't believe the emotions that were within"

Derek Barnaby, Mi'qmaq

At the age of 19, Derek Barnaby attended a gathering of elders in Peterborough, Ontario. Watching them dance in a circle to the sound of the drum, he experienced an intense emotion, like a call, the beginning of a rebirth. Back home, he asked his friend Dennis from Saskatchewan to help him make his regalia. The days turned into weeks, the weeks into months, and Dennis taught him much more than techniques. He passed on his story, his knowledge of life and his wisdom. The following year, Derek returned to Peterborough. The elders welcomed him. He danced in a circle and hasn’t stopped since.

Transcript

Interview with Derek Barnaby. A picture of him accompanies the sound of his voice.

Derek Barnaby

Now, what had happened was, I had gone over to Peterborough, Ontario, to an Elders’ Conference, and this was a gathering for elders from pretty much all over North America, and uh, and also from, some from New Zealand.

And, uh, it was there for them to, to be able to give their gifts, whether it was medicine, vision, healing, anything in regards to culture and tradition, these were the people that were going to Peterborough. And I had travelled there, and I remember being in the grand entry, standing there, and I was watching all the dancing going on, and I was listening to the drum and I was there with a bunch of my friends who were living in the city at the time.

Now, you know, when you grow up in the community, we take for granted some of the things that we have that truly belong to us by first nation’s people. And then here I am standing in this grand entry and I just couldn’t believe the emotions that were going around between myself, my friends, and the people that were around us.

And, uh, so the emotions, I think, were really powerful at the time because the elders, and their dreams and their wishes, were being brought to that circle, you know. And it was for more people to come out and to participate in our cultural dances and our ceremonies and our gatherings. To really promote it so that these things are not forgotten.

And I remember, you know, I just sat there after a while, and I just went you know like, “This is what I wanna do. I wanna dance and I wanna be part of that”. And as soon as I got back to Ottawa, I started talking to my friend Dennis, and Dennis was from, from Saskatchewan, and he had told me, you know, he goes, “If you want to start dancing, I’ll help you”.

Now he was a dancer for many years, his wife and his children were dancers, and you know… He was really, really awesome to sit down with because he taught me a lot. And, uh…

Interviewer

And it was at the time you were a teenager?

Derek Barnaby

No, this was, uh, I was, well maybe, maybe 19 years old.

Interviewer

OK!

Derek Barnaby

Yeah! And so Dennis, Dennis tells me, he goes, “I’ll help you out with anything that you want”. And, uh… So we, we started making my regalia. We used a lot of horsehide, moose hide, anything that we can find to start making something that I can dance with. And I told him, I said, my goal was to dance at the next Peterborough, uh, Peterborough Elders’ Conference. So, you know, we sat down for days and days, and the days turn into months, and pretty much the whole entire year. You know he shared with me all of his stories, in regards to his culture and his traditions, and, and the ideas of dance and why we dance. And, uh, and it took a year to really grasp onto some of the things that he was sharing with me, you know. He learnt that over a lifetime, and he was trying his best to get me to understand it all within a year. And so we, we did it, we finally made my regalia, we had my bust already, my feather headdress ready, we had everything all done. And I had travelled to Peterborough on that, at the end of that year and I danced, and I haven’t turned back since.

Interviewer

And how did it make you feel, this first dance at the Elders’ Meeting?

Derek Barnaby

I think, you know what, for me, it was almost like a rebirth for me. To walk back into that circle, to be accepted into that circle by the other dancers, and to be recognized as somebody who had put that dedication and that hard work into, into creating a regalia. You know, because when, when you’re creating your own regalia, there are so many other people, even though they might not help you build it, they’ve helped you create it, you know, by giving you stories, by giving you understanding. So all of their wisdom and all of their history goes into your regalia. And those are the things, you know, that you, that you carry very sacred when you’re dancing. And when you’re dancing, you know, people always ask, “What do you think about? Do you pray, do you…?” You know?

Interviewer

Yeah!

Derek Barnaby

And, and I think that every thought, no matter what it is, is a prayer. You know. When we’re dancing, you know, we’re thinking about our, our family, we think about the people that we love and respect. And on top of that, we also think about the people that we don’t love and respect. The people that could be a little mean, the people that could be a little hard on you. And we say, and we think good thoughts towards those people because our dancing, in this day and age, goes towards the understanding of healing and medicine. So when you’re dancing you know, you’re thinking about those people and, uh just that thought, while you’re dancing, is medicine.

  • Description
  • Transcript

The Dance Effect

Sophie Kistabish. David Kistabish
June 29, 2011
Pikogan

"When I dance, I don't think about anything."

Sophie Kistabish, Anishinabe

With dances and drums, more and more Indigenous youth are reconnecting with their culture. By participating in Pow Wows or public gatherings, they’re affirming their identity. Sophie Kistabish likes to dance. The sound of the drum makes her forget the everyday problems. Her mind is at rest and her heart is filled with joy. She feels a sense of peace and regains the pride of being Anishinabe.

Transcript

Indoors. David Kistabish is on the left of the screen; Sophie, on the right. They’re sitting in front of a beige wall.

Sophie Kistabish

As for me personally, when I dance, I don't think about anything. It's like everything seeps out of me. Nothing’s working in there except.... Not even... It’s like I don't even know what I'm doing. I'm aware of what's going on. I'm aware of everyone there, but I don't know how to explain it, there's this void inside me. And the only thing I hear is the drum. As if it were my heartbeat. It's special, that’s for sure.

Interviewer

No worries, no...

Sophie Kistabish

No. There might be something annoying me beforehand... Let's say some little accident happens, an event that happened that’s annoying me. And afterwards, I go dance or something... I’ll feel the need to dance… Afterwards, it’ll be different. I'll see things differently.

Interviewer

Oh! Yeah? It's like it helps you... to process...

Sophie Kistabish

Yeah. Well, that's what I'm saying. It creates a void.

Interviewer

Yes, to have a clearer head? Right, Right!

Sophie Kistabish

Yeah. Or I just didn't think about it for a while and after that, I'm fine.

Interviewer

And are you going to dance tomorrow? Or, uh, at least, at the festival?

Sophie Kistabish

Yes, yes.

Interviewer

Is this the first time, uh, that you'll be dancing at such an event?

Sophie Kistabish

No. It's been, uh... I started at the Quebec Games.

Interviewer

Yeah...

Sophie Kistabish

The regalia I have, dates back to the Quebec Games. I have what’s called a shawl. It's a little shorter. It's shorter. So now, uh, I’m making a longer one because I'm not short. I'm tall. And generally, uh, we prefer having an extra half foot on each side. That way, it feels better. You're more comfortable in the movements. But anyway.

Interviewer

And were the Quebec Games your first time dancing in a public event?

Sophie Kistabish

Uh, not really. I had done so before. But, y’know, I hadn’t done any big events like the Quebec Games. Uh, I did my grandparents’ sixtieth anniversary. I went to a powwow in Val-d'Or, a couple of other places in Quebec. But the biggest, I think, was the Quebec Games.

Interviewer

How did you feel?

Sophie Kistabish

I'm.... We were like in a loge, some sort of room. At a senior’s centre. We went in there and there was no one. And then we got dressed. We were told “you can't go outside; you have to stay indoors” because of the costumes we had. We had to stay indoors. But when we came out, we saw... 5000 people sitting in... on the... on the site.

Interviewer

Ah! ha! You didn't know there were that many people?

Sophie Kistabish

No! I almost turned around! Except we had done everything to get ready. Uh, we had sewn my regalia specifically for the Quebec Games. In fact, it was done preceisely for the Quebec Games. After that, I could keep it. Still, it’s very valuable. Mine alone cost $1200 of material and …

Interviewer

Oh, my God!

Sophie Kistabish

Yeah! So that's why. My father was saying to me, “No, you're going.”

Interviewer

Yes, of course! It has to be worth it. And, uh, did you feel like, like you felt tonight? Same feeling?

Sophie Kistabish

Yeah. I knew there were about 5000 people there, but not, uh... I didn't mind. The pride I felt of being Anishinabe returned.

Interviewer

Oh! Yeah?

Sophie Kistabish

Yeah. Since then I've never wanted to stop.

  • The Spirit of the Drum
  • Joining the Circle
  • The Dance Effect

Report of an interview with Richard Moar.

The drum represents the beating heart. It also represents life, and it represents the relationship between human beings and nature. It represents several things around here, y’know. And it represents your mother's womb.

When you're in your mother's womb, you hear her heart beating. And when you strike a drum, you hear your mother's heart. The Earth’s heart breathing.

And, as I was saying earlier, the relation, y’know, when you play the drum, you’re in touch with the animals. The most beautiful experience I had with the drum, one of my most beautiful experiences, because I’ve had many, was when I’d go alone into the woods and sing. And all around me, the birds would sing with me. That’s when I understood the relationship between human beings and nature.

It’s very, very important. You have to respect everyone around you, y’know. That’s why when Indigenous people see the Earth’s trees being cut down, they not only have a thought for themselves, they have one for their brothers and sisters.

[…]

And the drum also addresses the relationship with spirits.

It's very strong, y’know. . It's... I don't know how to say... But it's very, very beautiful.

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